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The brief cut is the most familiar silhouette in underwear. The Aurol makes it unfamiliar again.
The construction starts with what you expect: a wide opaque black waistband, flat and structured, sitting clean at the hip. Then the Net mesh takes over — completely. Front and back, from waistband to leg opening, the entire body of the brief is sheer black mesh. No opaque side panels. No lining behind the pouch. No zone of coverage inserted to soften the premise. The brief cut is there in its full geometry — the rise, the seat, the leg openings traced in black piping — but the fabric doing all of it is transparent.
At the front, the pouch sits in the mesh with a vertical center seam dividing it, shaped without padding, the body visible through the Net at every point. The waistband's solid black above creates the same deliberate contrast as in the Chanac and Alouis: opacity as frame, mesh as subject. At the back, the full seat panel is sheer — the same Net mesh, the same transparency, nothing between the fabric and the skin beneath it. The black piping traces the leg openings on both sides, a clean edge that defines the brief's silhouette without adding weight.
In black, the mesh operates as it does across the Net family: the transparency is present but controlled, the body visible as depth rather than immediate declaration. The brief cut means more surface area in mesh — front, back, sides — and the Aurol uses all of it.
A familiar shape. An unfamiliar amount of transparency for it.
90% Polyester, 10% Spandex. Made by hand in our atelier.
Key Features:
The Chanac gives you a pouch. The Alouis gives you a thong. The Aurol gives you the whole brief — in the same mesh, at the same transparency.
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