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The black Alouis controls what it shows. The white one has already decided.
Same construction: wide embossed waistband, full Net mesh panel below it front and back, inverted triangle cutout at center where band meets mesh, thong strap. But in white, the Net fabric operates without any reserve. The mesh is immediately transparent against skin — the body reads through it at full clarity from the first glance, no depth absorbing the view, no gradation between fabric and what's beneath. The pouch sits in the same white mesh, shaped and present, the white piping tracing its outline as the only edge that separates it from the panel around it.
The waistband carries the PetitQ logo in tonal emboss — white lettering on white elastic, readable as texture rather than contrast. In white the emboss reads more clearly than in any darker colorway: the relief catches light, the letters resolve, the band becomes a detail rather than just a border. Below it, the cutout is the same inverted triangle, now framed in white piping against white mesh — subtle geometry that only becomes visible on close inspection, the detail earning its place precisely because it doesn't shout.
At the back, the same logic: white waistband, sheer white mesh across the seat, the cutout centered below the band, the thong strap dropping straight down. The transparency is complete. Nothing is withheld.
In white, the Alouis is not a piece that builds to a reveal. It arrives already open.
90% Polyester, 10% Spandex. Made by hand in our atelier.
Key Features:
The black version makes you look twice. This one doesn't give you the choice.
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