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The Alouis knows exactly where to put the detail — and then leaves everything else alone.
The construction is clean: a wide opaque black waistband sits at the hip, structured and flat, the kind of band that anchors a piece without announcing itself. Below it, the front drops into a full panel of sheer black Net mesh — the body visible through it at every point, the pouch shaped in the same mesh with no lining between fabric and skin. At the center, where the waistband meets the mesh, a small inverted triangle cutout opens the boundary between the two — a single geometric interruption, precisely placed, that turns a transition into a focal point.
The back mirrors it exactly. The same wide waistband. The same sheer Net mesh panel below, the fabric barely there across the seat before it gives way to the thong strap. The same inverted triangle cutout at center back, sitting just below the waistband — the detail repeated, the logic confirmed.
Net fabric at this weight is less a covering than a presence: the mesh is visible, the structure is there, but the skin reads through it without interference. In black, the transparency is controlled — the body is seen but the mesh gives it depth, a layer of texture between bare skin and open air.
Two elements. One decision. The Alouis does it twice and stops.
90% Polyester, 10% Spandex. Made by hand in our atelier.
Key Features:
One cutout, front and back. That's the whole argument.
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